A lot has happened in the last week, which kept me from blogging and – to some extent – from reading. I started a new job, but I also had to juggle said new job with a sick child. So, essentially I ended up with no time for myself.
Just like, Wool, Hugh Howey‘s novel Sand is set in a post-apocalyptic scenario. And that’s about all, that the settings of these two novels have in common. While in Wool the people live in an enclosed and strictly regulated environment the opposite is true for Sand: The world has turned into a desert, everything is buried in sand, sometimes hundreds of meters deep. (The novel uses the metric system! I only just noticed.) This makes water a rare commodity: deep wells have to be dug and the sand that keeps blowing in from the east has to be constantly removed to keep the water accessible.
A special, rather fantastical element in my opinion, of the novel’s world-building is “sand diving”. “Talented” people wearing dive-suits and air-supply tanks with visors that allow them to see below the sand, are able to dive underground as if they were diving through water. The technology behind this is just some magic wand waving and I have know idea how this is supposed to work or even how this could work, but the idea is pretty cool.
The novel focuses on the siblings of a family: Palmer, the eldest son, Vic, his sister, and his younger brothers Conner, an adolescent, and Rob, a twelve-year-old. When their father left the family to hike east in search for a better life, their mother was left without a means to support the family and they became poor. The novel is set 12 years after the father left the family.
The book starts off with Palmer: He’s taken a dive job with his friend Hap that’s supposed to pay a full month’s wage in just two days, and everyone with half a brain should know, that there’s something going on here. Not so Hap and Palmer. They are led to a secret camp where they are asked to dive down very deep, several hundred meters, further than they ever went, to search for an ancient buried city: Danvar.
The story-telling is exciting and the characters are well-thought out, believable and interesting. Still, Sand isn’t as good as Wool. This doesn’t mean that Sand is not a good novel. It is. It’s just not as amazingly awesome as Wool.
Why do I feel this way about Sand? I believe there are two reasons for this. Firstly, there are a lot of small things that felt illogical to me. Most of them I can’t mention as they would be spoilery, but there’s one example that comes to mind: The novel is set in a desert. It’s very dry there and water has to be rationed. But old bread gets moldy… (That does not make sense. It should have just dried out…) I know, this is a tiny thing, but there were several things that had me think “Huh? How’s that possible/ going to work?” like that one did. Secondly (and more importantly), the ending felt rushed. Some things were resolved in a boom-bang kind of way, but several strands remained loose. I believe a better ending could have been possible for this novel, so I am a somewhat disappointed by the ending. It’s still a good read, and I recommend reading Sand, especially if you like post-apocalyptic settings.
Disclaimer: I got a free digital review copy of this novel from the publisher via NetGalley.
Snuff is a Discworld novel featuring Sam Vimes. Sam Vimes is one of my favorite Discworld characters, so I was pretty sure I would like this book, and I did! It’s a very well-written, neatly plotted and angry book. It felt very angry, indeed. I never noticed this before in Pratchett‘s Discworld novels (maybe with Monstrous Regiment being a notable exception), but then I have aged significantly since I started reading Discworld novels and I wouldn’t have noticed such things as a thirteen-year-old.
Rating: a very engaging read, good characters
Wool by Hugh Howey has a post-apocalyptic setting: Something has happened to life on Earth so that the biosphere is gone and life on the surface of the planet is no longer possible. Toxins poison the air, the land is a lifeless desert. At the edge of a former city (identity unknown) a couple of thousand survivors live in a well-planned and well-organized silo. The event (what kind of event is unknown) that made life “outside” on the surface of the planet impossible is long forgotten: the novel shows the life of people possibly removed by centuries from whatever did happen.
During the past couple of weeks I have read some books (surprise!) and I also got a couple of new books from the library.
Three library books:
- The Ocean at the End of the Lane by Neil Gaiman: I love Neil Gaiman‘s writing, but strangely I am not addicted to his writing. So every few years I feel this itch of “it’s about time to read a Neil Gaiman book”. And when I have to scratch it, well, then I usually find one that I haven’t read. This half-decade’s pick is The Ocean at the End of the Lane. Also, it’s Halloween season!
- Snuff by Terry Pratchett: I’ve been a fan of his Discworld series for almost twenty years (nineteen, to be exact). Somehow, I missed this novel. It’s publication must have coincided with the birth of one of my kids. It’s a Nightwatch novel that has Sam Vimes going to the country.
- Shift (Silo #2) by Hugh Howey: Reading Wool (Silo #1) is so much fun, I need to have part two of the series, so I can continue reading it, if I feel I must. (Although, technically, Shift is the prequel to Wool, reading it will definitely be interesting.)
One digital review copy:
- Sand by Hugh Howey (from the book’s UK-publisher, Random House UK, Cornerstone via NetGalley): I saw this on NetGalley and thought “My request to review this book will be denied, but I’ll request it anyway.” and the novel’s publisher was so nice as to grant my request. This leaves me with a total of two Hugh Howey novels to read.
Those are all books that I am excited about and I am just a bit worried that I am overloading myself. I will not buy, borrow or request any additional books until I have read at least three books from my TBR-pile.
I am still reading Neil Clarke‘s Upgraded Anthology. I am enjoying it, but my progress is slow. There are 26 stories in that book and I read it one story at the time. I can’t read it all in one stretch: That would result in cyborg story overload. I will eventually finish this anthology and write up a review then. (How does one review an anthology, I wonder?)
In novel reading, I am not reading anything in parallel at the moment (apart from the anthology): I am reading Wool by Hugh Howey. It’s good. Wool is one of those books that grabs me and makes me want to read and read and read, and not stop. I expect to finish it soon. A review will be up either this week or next week.
The Player of Games is one of Bank‘s Culture-novels. The Culture is a very advanced galactic civilization of “humans” and intelligent machines (drones and starships) who form an absolutely free society. It seems, nobody has to do anything (e.g. work), there’s no money or personal property, at least not in the way that we (here on earth have it). Accordingly, citizens of The Culture have a lot of free time which they fill with all kinds of amusements such as parties, hanging out with friends or playing games in competitions. The protagonist is Gurgeh, one of the best and most successful game players of The Culture. As he plays his games, meets his friends and lives his life, he finds himself increasingly bored by it all.
Obtained: received digital review copy from the publisher. Thank You Baen!
Undercity is a new novel by Catherine Asaro. She is best known for her successful Skolian Empire series where she expertly blends typical elements of romance novels with science fictional space opera. Undercity is the first novel in a new series which is set in the universe of the Skolian Empire. But while the Skolian Empire series almost exclusively features protagonists who are members of the (very large) royal family of the Skolian Empire, Undercity‘s protagonist is an ex-military private investigator who had to work herself up from the streets.
This is the first post of a new, probably irregularly occurring, feature where I tell you about new books I got and how my reading is getting along.
I recently registered an account at NetGalley. NetGalley is a website where – among others – bloggers can receive electronic advanced reading copies (eARCs) from publishers. Until last week, I never requested a title, mostly because I did not think I’d be granted access to an eARC and I felt that my blog was too new and unimportant. I finally gave it a try last week and requested two titles (and my requests were granted):
Two Serpents Rise is the second published novel in Max Gladstone‘s Craft Sequence. Both setting and characters are unconnected to his first novel Three Parts Dead, but they are set in the same universe. My impression is that Two Serpents Rise could be read as a standalone, but having the background from Three Parts Dead as to how the magic system and the world work might improve the reading experience for Two Serpents Rise.
A couple of months ago (yes, that long ago) I wrote a post about how weirdly my local library works. I also posted a picture of the books I borrowed. For those of you who do not want to go back to that post to look at the books, here’s that picture:
I was planning to read them all, but as is the way with many library books (at least with me), I only read parts of the books.